This study examines the dynamics of trauma and repression in James Ellory’s My Dark Places and Jim Thompson’s Savage Night through a psychoanalytic lens that integrates Freudian repression, Lacanian Real, and contemporary trauma‐studies frameworks. Employing close textual analysis and thematic coding, the research identifies and quantifies flashbacks, elliptical narrative gaps, and recursive imagery to map how each text stages the return of repressed memories. In My Dark Places, recursive flashback clusters and confessional first‐person narration facilitate a working‐through process that aligns with Judith Herman’s tri‐ phasic trauma model, culminating in a tentative narrative resolution. In contrast, Savage Night enacts repetition compulsion and symptom formation without narrative integration, illustrating an acting‐out cycle that leaves Detective Raines trapped in unresolved psychic loops. Comparative analysis reveals how genre mode memoir versus hard‐boiled crime fiction shapes the text’s orientation toward healing or perpetual haunting. By synthesizing diverse psychoanalytic approaches, this paper contributes a nuanced model for understanding how narrative form mediates trauma representation in contemporary crime fiction and suggests avenues for further interdisciplinary research.
A Thu, study studied this question.