This paper employs spatial theory, particularly Henri Lefebvre’s conceptual framework of spatial production, to analyze the spatial dilemma and breakthrough of protagonist Bride in Toni Morrison’s novel God Help the Child. The study examines Bride’s spatial transitions from urban corporate environments to rural wilderness, revealing how these spaces influence her psychological transformation and shape her experience as a Black woman in contemporary America. Morrison strategically utilizes spatial elements to explore themes of racial trauma, colorism, and healing, demonstrating how space functions as both a constraining and liberating force in the protagonist’s journey toward self-discovery. Through analyzing the dialectical relationship between physical spaces, social constructs, and lived experience in the novel, this paper illuminates how Morrison’s spatial narrative techniques highlight the intersections of race, gender, and power in American society.
Ni et al. (Fri,) studied this question.