The human body is characterized by its diverse physical traits, appearance, and abilities. Certain bodies are prioritized while others are marginalized and considered ‘other’ due to social and political discourse. Individuals who conform to predetermined cultural norms are accepted, while those who do not meet these standards are often labeled as ‘deviant,’ ‘disabled,’ or ‘imperfect. Disabilities can be conceptualized using social and medical models. This study examines significant texts and theoretical approaches and cinema that contribute to the discourse on the aesthetics of disability. It explores how authors employ structure, language, and symbolism to resist ableist ideologies and propose alternative aesthetic paradigms. The paper also considers how disability intersects with other areas of identity such as race, gender, sexuality, and socioeconomic status, offering a more layered understanding of disabled embodiment. By mapping these developments, this research highlights the transformative power of disability aesthetics—not only in the realm of literature but also in reshaping broader cultural ideas about identity, body politics, and creative expression.
Deepa Deepa (Mon,) studied this question.