This article explores the unity of philosophical thought and artistic emotion in the works of Samad Vurgun, a prominent figure in XX century Azerbaijani poetry. The author examines the poet’s depiction of the relationship between humans and nature, as well as the philosophical-aesthetic representation of time and space, demonstrating that Vurgun was not only a master of lyrical expression but also a profound philosophical thinker. The article highlights the poet’s connection to ashig art and mugham, the preservation of the national spirit within his poetry and the emphasis on moral and spiritual values. The vivid portrayal of nature is presented in harmony with human inner world, while the flow of time and historical memory form the philosophical layer of his poetic vision. In Samad Vurgun’s works, the idea of a unified Azerbaijan is presented as a poetic symbol of national unity and spiritual integrity. Furthermore, the article emphasizes the role of national identity and respect for multicultural values as integral elements of Vurgun’s worldview. The poet’s aesthetic perspectives and his approach to beauty and art are also thoroughly analyzed. Thus, Samad Vurgun`s poetry can be seen as a harmony of thought and emotion, as well as a synthesis of classical and modern literary traditions.
Aypara Abbasova (Mon,) studied this question.
Synapse has enriched 5 closely related papers on similar clinical questions. Consider them for comparative context: