Sylvia Plath and the Biopolitical Self: Narrating Aging, Decay, and Disease in Literary Imagination

This study examines Sylvia Plath’s literary corpus through a biopolitical lens, analyzing how her representations of embodiment—particularly aging, decay, disease, and institutionalization—function as sites of contestation against institutional power. Moving beyond traditional biographical and psychoanalytic interpretations, this research study applies theoretical frameworks from Foucault, Agamben, and Esposito to illuminate how Plath’s work engages with and resists biopolitical structures. Through close readings of “The Bell Jar”, “The Colossus”, and “Ariel”, this study demonstrates how Plath’s aesthetic strategies transform embodied vulnerability into forms of resistance. The analysis explores four key dimensions: the institutionalized body and medical authority; aesthetic politics and the anxiety of aging; the biopolitics of reproduction and maternity; and death as both boundary and transcendence. This study reveals Plath’s corporeal poetics as a sophisticated engagement with the political dimensions of embodiment in the mid-twentieth century, establishing a literary tradition that influences contemporary understandings of bodies as sites of political contestation. Comparative analysis with other confessional poets highlights Plath’s distinctive and systematic approach to biopolitical themes, positioning her work as particularly significant for subsequent feminist theorizations of embodied resistance.