This essay highlights Natchez, Mississippi’s Confederate heritage tourism to illustrate interrelationships between memory, history, and imagination, and how performed commemorations critically shape nationalist ideals and beliefs. Memories—and the bodies that pass them—shape the politically charged terrain of imagined nations, which are uncertain and collectively negotiated. To illustrate the contested nature of historical memory and how performing the past reimagines and reshapes the present and future nation, I juxtapose the Confederate Pageant’s nostalgic, rosy-tinted view of the Old South with examples of contemporary Black-centered commemorations and heritage tourism in Natchez. The dissonance and tension between these opposing forces illustrate interrelationships between memory and history, how these are critical to sustaining nationalism, and how performed commemorations of the past—whether historically accurate or imagined—critically shape ideals and beliefs about race and the nation. I use Natchez to undergird broad questions about the nature of memory and history, which are axiomatically contested and fallible. I use examples of Black commemoration in Natchez to illustrate antiracist theories of historiography.
Teresa Simone (Tue,) studied this question.
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