Mohamed Mbougar Sarr has become the first Sub-Saharan writer to win the Goncourt prize. The Senigalese who has been deeply immersed in his predecessors' legacy, remains a prominent figure in the new generation of contemporary Black-African literature. Sarr has manifestly displayed an unparalleled audacity that transcends established norms in his writings. In his ontological quest for the human condition, the young recipient of the Goncourt Prize has indeed deconstructed the narrow boundaries of space, time, religion, moral propriety and scriptural codes so as to scrutinize the path of ecumenical humanism... The present reflection will therefore focus on this original poetics that emerges implicitly in Mbougar Sarr’s work. Articulating transgression and freedom into a coherent whole, Mbougar Sarr’s poetic art can be understood as an attempt to make subversion a means of rethinking Man and the world, with the aim of establishing pan-humanism as the promise of a blissful tomorrow.
Loutfi Hicham (Sat,) studied this question.