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The ongoing discourse regarding the potential substitution of human creativity by Artificial Intelligence (AI) raises questions about the essence of human nature. If the essence of humanity lies in creativity, and if AI can replicate this trait, it appears that creativity alone does not define what it means to be human. Rather than perceiving this as an ‘anthropological loss’ to be accepted or fought against, it can be viewed as an occasion to contemplate the human from a more-than-human perspective. By considering this perspective, it becomes evident that the definition of humanity has been a matter of dispute long preceding the recent advancements in AI. A theoretical approach to the relationship between AI, creativity and more-than-humanness is proposed as a way to show the possibilities that philosophy brings to counteract pessimistic approaches to the replaceability of the human by AI. By challenging the notion that humans are the sole proprietors of creativity, one can explore alternative forms of creativity beyond the human realm and consider how humans can facilitate their emergence.
Adalberto Fernandes (Thu,) studied this question.