Determining the Realm of the Dead through Metaphors: The Case of Gilgameš, Enkidu, and the Netherworld

Abstract In this article we provide a contribution to answering the question of how religious communication is possible. Religious communication is confronted with the essential paradox that statements about a principally inaccessible transcendence have to be made by immanent, known means. Metaphors, which we understand as mapping of a known source domain onto an unknown target domain, are particularly suitable for this purpose. We apply these assumptions to the Sumerian story Gilgameš, Enkidu, and the Netherworld to examine how the text is to be understood as religious communication. We identify the familiar physical and social spheres as the source domains and the netherworld as the unknown target domain. We show how the conceptual metaphor The netherworld is a physical place is elaborated by means of different slots, namely where the realm of the dead is located, how to get to and how to return from there, in which shape one is able to return from the netherworld, as well as how things are ordered there.