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The charm of painting, as a bright pearl in the treasure house of culture, lies in its visual language constructed through colors and lines, which conveys the artist’s unique perception of life and profound emotions. Color, as the most intuitive and expressive language in painting, is not only a simple reproduction of material colors but also a projection of the artist’s inner world. Artistic conception, as a core concept in traditional Chinese painting theory, refers to the emotional atmosphere and spiritual mood embedded in paintings. The purpose of this paper is to discuss the interaction between color and mood in painting art, to analyze the techniques of using color in different painting styles and their influence on the creation of mood, and to provide new perspectives and methods for the creation of paintings.
Guo Chen (Wed,) studied this question.
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