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The "great deportation" orchestrated by Shah Abbas in the 17th century led to a substantial influx of Armenians into Iran. A significant number of Armenians relocated to Iran as a result. Land in an area known as New Julfa was allocated to Isfahan's Armenian community, where they established a thriving colony. The majority of those who departed Old Julfa were khojas, who gradually built their own mansions within the newly formed community. Exposed to European art and architecture through frequent travels and connections with affluent foreign merchants, the Armenian community in Isfahan assimilated these influences. This article discusses the architectural design and aesthetic embellishment of the khoja's mansions. It aims to underscore the significance of these elements within the context of Armenian architecture and their vital role in cultural heritage preservation. Furthermore, an aspect that has received minimal attention from scholars is the role played by the Khojas in introducing European influences into Iran. Through a historical-comparative approach, the mansions of Khojas are examined, evaluating their architectural design and decorative artistry. Particular focus is placed on the splendid frescoes adorning the walls of these homes, as they serve as essential tools for understanding nuances in cultural heritage. Employing a creative approach, the analysis delves into these paintings, unveiling their intricate details and relevance within the broader scope of mansion construction. This comprehensive methodology enhances our comprehension of the historical and cultural significance inherent in the architectural design and aesthetic embellishment of the khoja's mansions, emphasizing their importance within Armenian architecture and their role in cultural heritage preservation.
Tajarian et al. (Fri,) studied this question.