Countryside, Borderlands, Nature—Public Art beyond the City☆

Abstract This article emphasizes several primary realms of contemporary artistic endeavors in public art, specifically those unfolding outside urban metropolises. I analyzed the examined practices in terms of their functions and goals, the forms they take, and the problematic areas they address. This allowed for identifying certain symptomatic areas of artistic activities; domains shaped by diverse perceptions of the Polish countryside and rural life. Some feature an exploration of folk beliefs, ritual practices, religiosity, liturgy, and a connection to the land and the rhythms of nature—an ethnographic trend. Others delve into themes associated with historical heritage and the legacy of serfdom (an emancipatory trend). Moreover, I identify a trend focused on the specificity of “borderlands” and an ecological trend. The analysis focuses on questions: How does public art manifest itself beyond urban areas, particularly in rural settings? What social functions does it serve? And what significance does the examination of artistic activities hold for advancing research in rural sociology? The main aim of the article is to transpose Polish public art practice into the realm of public art in rural studies.