Transportation and Agon in Chinua Achebe’s No Longer at Ease and Anthills of the Savannah

This article analyzes public transportation as a trope for networked narrative forms in two novels by Chinua Achebe: No Longer at Ease and Anthills of the Savannah. Combining insights from mobility studies with criticism on tragedy, the present article suggests that intersections of tragedy and transportation remain understudied aspects of Achebe's fiction. While agon implies the struggle or dispute that drives literary plots in general, I argue that Achebe settles elements of the deliberative agon from classical Greek theatre within transport networks to structure agonistic exchanges amongst characters and social groups, to juxtapose forms of thinking, and to expand the idioms within his novels. As much as Achebe's novels pivot on the experiences of singular and seemingly heroic protagonists, he is deeply invested in the relations between individuals and collectives and the representation of both in novels concerned with the problems of postcolonial nations and nation-states. As such, Achebe's transportation systems facilitate fleeting modes of assembly for the exchange of ideas. Studying No Longer at Ease and Anthills of the Savannah together crystallizes the orchestrated and often ironic interplay between individual and collective insights. Achebe's representations of conviviality and agonism in public transportation thus present models of thinking and feeling collectively in the novel. Moments of transportations in Achebe's fictional worlds impart the modes of thinking animating the imagination of the nation and the machinery of the state.