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The article focuses on two monuments in Croatia that commemorate the Second World War and the Holocaust. The first is the Stone Flower monument (Kameni cvet/cvijet) located at the Jasenovac Memorial Site, designed by Bogdan Bogdanović and unveiled in 1966. The second is the Tangible Absence monument (Prisutna odsutnost/Memorial to Victims of the Holocaust and the Ustasha Regime), unveiled 77 years after the war's end. It is located in the centre of Zagreb and was created by sculptor Dalibor Stošić and architect Krešimir Rogina. Both of these monuments are representative of how the official memory regarding the events of the Second World War is changing in Croatia. They reflect the internal social and political changes occurring within the territory of former Yugoslavia (now in this case Croatia). The main objectives of this text are to provide a comprehensive description of the monument creation process, highlight the meanings conveyed by these monuments, and to address the question of how new official forms of commemoration in Croatia respond to the global processes of reimagining Holocaust memory.
Giergiel et al. (Fri,) studied this question.