“Athens and Jerusalem” of Leo Strauss and Leo Shestov

One of the most important cultural and philosophical subject of the last century is the reflection on the crisis state of Western culture. In search of the causes of philosophical and socio-cultural upheavals, philosophers turned to the spiri­tual origins of European civilization and saw the conflict between philosophical rationality and biblical faith as the event that determined the spiritual shape of Western culture and explains its current crisis. The article is devoted to the problem of confrontation of ancient Greek and biblical beginnings of Euro­pean culture in the works of Leo Strauss and Leo Shestov. The theoretical framework of the study is the method of conceptual analysis, which allows us to identify the conceptual content of the concepts of Athens and Jerusalem in the phi­losophical projects of Strauss and Shestov. Analyzing Strauss’s and Shestov’s views on the conflict between philosophical reason and the religion of revela­tion, the author identifies the peculiarities of their interpretation of the images of Athens and Jerusalem, as well as the contexts in which the philosophers ad­dress their confrontation. The author concludes that the idea of Strauss and Shestov as apologists of rational and religious principles of European culture does not exhaust the actual content of their philosophical projects. Both philoso­phers share a common understanding of the problem, but view it from different perspectives. Strauss focuses on the political-philosophical aspects of the con­flict between Athens and Jerusalem, expressed in the necessity of choosing philosophy and religion as the ultimate images of human life and the problem of their applicability as principles for organizing the political community. Shestov’s main interest is the existential significance of faith as a guide in the li­beration of the human spirit from the shackles of metaphysical necessity. Based on these views, the author draws conclusions about Strauss’s and Shestov’s un­derstanding of the essence of the contemporary cultural crisis and formulates a possible strategy for overcoming it.