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Abstract Using the Flensburg Memorial Dispute of 1967 as a microstudy, this article explores how Germany’s twentieth-century war dead have been represented within Protestant sacred space since 1945. It highlights the central role played by church spaces in the mourning and commemoration of Germany’s war dead and the tremendous difficulties accompanying attempts to redesign these iconographies in the later twentieth century in the face of popular sentiment.
Thomas L. Brodie (Mon,) studied this question.