Abstract This article examines the poetry of Raïssa Maritain as a distinctive form of theodicy shaped by prayer, suffering, and the catastrophic violence of the twentieth century. Situating Maritain’s poetic work within the context of debates on suffering, this article places her in dialogue with Johann Baptist Metz’s concept of Leiden an Gott (‘suffering unto God’), as well as with the challenges to theodicy articulated by Elie Wiesel and Emmanuel Levinas. While Wiesel’s refusal of theology after Auschwitz and Levinas’s ethical critique of teleological accounts of suffering underscore the crisis of theodicy, Metz offers a theological response that centres on prayer as anguished address to God rather than rational explanation. I argue that Maritain’s poetry anticipates, embodies and extends this insight by functioning as a form of poetic prayer that confronts evil without aestheticising or prematurely redeeming suffering. Through close engagement with poems written before and during the Second World War, I show how Maritain’s poetic language gives voice to accusation, lament, and solidarity with the suffering other, while nonetheless holding open the possibility of redemption. In doing so, her work offers a humane poetic theodicy that both complements and critically deepens Metz’s political theology.
Albert Robertson (Wed,) studied this question.