Can theology be considered a creative science? How can we define creativity in the work of the theologian? This article offers a meta-theological inquiry on the roles of creativity and tradition in innovating theological knowledge. After distinguishing between problem- and solution-driven creativity, I show that both theology and science require a living tradition to test, correct, and stabilize proposals over time. I introduce second-order cybernetics as a heuristic vocabulary through which to view observer-inclusive inquiry in theology. I analyze the main sources of theological novelty: inspiration, prophetic impulse, and charisms, whose discernment and reception shape the incorporation of novelty into Tradition. I argue that, likewise, in second-order cybernetics a system can maintain its identity by adapting to new issues, contexts, and forms of experience through negative and positive feedback mechanisms. These mechanisms preserve coherence in the system and allow for the diffusion and institutionalization of genuine novelty.
Claudio Tagliapietra (Tue,) studied this question.