In an extremely critical public sphere surrounding Jewish–Muslim relations in Germany, the multi-award-winning miniseries The Zweiflers has uniquely navigated this intense scrutiny, depicting a nuanced subplot of Jewish–Muslim coexistence. Inspired by HBO’s The Sopranos , the series centres on the Zweifler family, exploring their complex intergenerational dynamics, transnational diasporic ties and alleged connections to Frankfurt’’s underworld. While initially lauded for its portrayal of a modern German-Jewish identity, this article takes a closer look at the significant theme of Jewish–Muslim cooperation in post-war Germany. Drawing on ethnographic research conducted in Frankfurt’s Bahnhofsviertel (train station district), where the series was filmed, The Zweiflers is critically analysed and compared with insights from that long-term fieldwork. This analysis is further contextualized by engaging with the crucial works of diasporic artists and post-migrant filmmakers, alongside scholarship on urban multiculture and anti-essentialist concepts in sociology and cultural studies. The Jewish–Muslim relationships depicted in the series are not merely fictional; they reflect real, historically evolved partnerships characterized by a collective will to overcome contradictions. This nuanced depiction counters static assumptions about community relations often found in the polarized debates surrounding the Israeli–Palestinian conflict, offering a vital contribution to understanding contemporary German society.
Arndt Emmerich (Tue,) studied this question.