This article examines the institution of the kanephoroi – young maidens who led festive religious pro-cessions carrying baskets. The study systematizes information on the dissemination and transfor-mation of this practice across Greek city-states and in Ptolemaic Egypt. The goal is to identify uni-versal characteristics and regional variations within kanephoria through a comparative analysis of its ritual, social, and representational aspects. The key role of the kanephoros is dual: they served as mediators between the human and divine realms and as representatives of elite social strata. The re-search employs a comprehensive analysis and critical comparison of diverse sources: literary texts, epigraphic records, archaeological finds and iconographic materials. Key findings underscore the stability of core selection criteria for kanephoros: maidenhood and noble birth. Simultaneously, in mainland Greece and the islands, variation appeared in basket forms, carrying methods, costume de-tails, and artistic depiction styles. In Egypt, within the cults of Arsinoe II, Isis and Serapis, the kanephoros integrated the Greek tradition of processional participation with local elements in attire and basket contents. In Greek city-states, the kanephoroi were primarily central figures in public re-ligious ceremonies, while in Ptolemaic Egypt, their role in religious service to the royal cult predom-inated. The institution of the kanephoros demonstrates a unique capacity to preserve fundamental rit-ual and social principles while flexibly adapting its external forms to local cultural and religious con-texts. This evolution, traced from Archaic Greece to Hellenistic Egypt, establishes kanephoria as an example of a universal, adaptable cultural mechanism reflecting the dynamics of religious and social interactions.
O. N. Davydova (Thu,) studied this question.