This essay proposes a psychoanalytic reading of Lewis Carroll’s Alice’s Adventures in Wonderland through two complementary theoretical frameworks: Donald Winnicott’s concept of transitional space and John Bowlby’s theory of the secure base. The central argument is that Wonderland is not a world of chaos but a psychic space constructed by Alice in the absence of the attachment figure — a territory for negotiating between an emergent self and a reality that refuses to confirm it.Close readings of the White Rabbit, the Caterpillar, the Duchess, the Mad Hatter, and the Queen of Hearts map each character as a distinct mode of attachment failure. The essay’s original contribution identifies Dinah the cat and an unnamed dog — the only figures Alice thinks of during the fall — as her genuine attachment figures and internalized secure base: the psychic anchor she carries through the entire traversal of Wonderland.Written as part of psychoanalytic psychotherapy training.
Ecaterina Ojog (Mon,) studied this question.