Abstract: This study examines the collaborative work Violenta pureza by Mexican artists Carmen Boullosa and Magali Lara, analyzing its innovative approach to intermedial artistic practice. Through twenty-seven images of domestic objects and accompanying text, the work deliberately disrupts conventional relationships between visual and textual elements, creating what this study terms a “third space” of interpretation. The analysis employs two methodological approaches: first, a semiotic and metaphorical analysis exploring shared themes of violence, isolation, and melancholy in feminine representation; second, a theoretical examination of the interpretative space generated between text and image. This study argues that Boullosa and Lara’s collaboration establishes a new form of feminist criticism through its experimental integration of literary and visual arts, while reconceptualizing the female subject as environmentally situated. Their work anticipates contemporary post-anthropocentric discourse by challenging traditional binaries between culture/nature and subject/object. Through its analysis, this study demonstrates how Violenta pureza ’s innovative intermedial approach continues to offer relevant insights for contemporary artistic practices in literature and visual arts.
Sunyoung Kim (Sun,) studied this question.
Synapse has enriched 5 closely related papers on similar clinical questions. Consider them for comparative context: