This paper investigates how hybrid temples are created and transformed into tourist attractions, focusing on Wat Phothikyan Phutthathum—a Thai–Chinese temple located in Kelantan, close to Malaysia’s border with Thailand. This study aims to understand how both the local Thai minority and Chinese majority contribute to temple hybridisation, examine the influence of such temples on community identity, and explore their growing importance as tourist attractions. It highlights the negotiation and cultural exchange that shape new heritage spaces for borderland communities. Using visual analysis and interviews, the research shows that, since there are no Chinese temples nearby, Chinese Buddhists and Taoists adapt Thai temples by incorporating their own rituals and art. This results in blended iconography and practices, guided by an open-minded Thai monk. Features like large Buddha statues, staircases featuring naga-dragon designs, and murals combining different traditions reveal this fusion. The temple’s unique artwork and spiritual environment attract visitors from Muslim-majority areas and various countries like Thailand, Taiwan, and Singapore. As tourism becomes central to the temple’s role, the local authorities emphasise its religious significance and multicultural symbolism, aligning with economic interests and daily interactions among minority groups. This study offers valuable empirical and theoretical perspectives on the blending of religious heritage sites in border regions.
Tepsing et al. (Sat,) studied this question.