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This article provides an account of the nuclear test series carried out at the Nevada Test Site (NTS). We examine how practices of security produce publics and make particular forms of embodiment possible. This account focuses on three key moments to shift the debate on national security projects from audience to public by bringing intra-action and embodiment into the frame. First, we show how atomic testing operated on the terrain of public culture as much as physical territory. Second, we demonstrate how the materiality of the bomb, and its consequences for those who witnessed detonations, reveals the relation between publicity and secrecy as strategies for managing information about security projects. Finally, drawing on Barad's Agential Realism, we use the dosimetry film badge as a device through which to read the relationship between the atomic bomb and its nuclear publics.
Anaïs et al. (Sun,) studied this question.