Raja Rao's Kanthapura (1938) is one of the earliest Indian English novels to imaginatively reconstitute the Indian freedom struggle through a distinctly indigenous narrative mode. By situating the Gandhian nationalist movement in the microcosm of a rural South Indian village, Rao offers not only a political narrative but also a cultural cartography of India's plurality. This paper examines how the novel constructs a vision of national unity rooted in diversity by interweaving Gandhian ideology, mythological symbolism, caste and gender negotiations, and oral storytelling. The study argues that Kanthapura dramatizes the process of unity formation as one that is simultaneously fraught with tension and enriched by plurality. Drawing upon Benedict Anderson's theory of 'imagined communities' and Indian critical traditions, this paper shows how Rao's fiction contributes to the literary imagination of the nation.
Dr. Chittaranjan Nath (Thu,) studied this question.