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Introduction 1. Seeing double: collaboration and the interpretation of Renaissance drama 2. Between gentlemen: homoeroticism, collaboration, and the discourse of friendship 3. Representing authority: patriarchalism, absolutism, and the author on stage 4. Reproducing works: dramatic quartos and folios in the seventeenth century 5. Mistris Corrivall: Margaret Cavendish's dramatic production Notes Bibliography Index.
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