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Part I. Premises: 1. A problematic picture of the personal interface 2. Social change and networks Part II. The Prehistory of the Laboratory: 3. Douglas C. Engelbart and the ARPA community 4. The augmentation framework and the relativist tradition Part III. Kinaesthetics and the Hypertextual Piano: Feeling the Code: 5. From physico-motor skills to kinaesthetic communication 6. The mouse is more than a pointing device Part IV. The Social Construction of the Personal Interface: 7. The beginnings of the hypermedium 8. The genesis of the graphic interface 9. The (inter)personal interface Part V. Coda: 10. When hand and memory meet again.
A Fri, study studied this question.