The pipe organ, unlike many other instruments used in so–called classical music, is inextricably entwined with technology and contemporary improvements throughout its history. The craftsmanship of organ building is closely related to the evolution of organ music, as can be seen in musical literature. These two fields have always propelled each other. This article provides a view of the author’s invention and its effect on music. The described project comprises two parts and closely links two supposedly distant fields. The first part is the instrument: a pipe organ equipped with a prototype mechatronic programmable key action. The other is the recording of the interpretations of existing baroque and contemporary literature and original improvisations, which constitutes research material and demonstrates the improved elements of artistic expression enabled by the enhanced capabilities of the prototype. Two methods of research were used: perceptual evaluation of the innovative means of expression and simplified FFT analysis of selected samples. Research results prove that automating the key action in the described manner leads to a significant expansion of the range of means of artistic expression achievable on the pipe organ.
Tomasz Mateusz Mońko (Mon,) studied this question.
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