White Skin, Black Masks: Blackface Minstrelsy

In this article, I explore Blackface Minstrels as a burlesque representation of African Americans. Black minstrelsy was an American nineteenth-century entertainment sensation that was subsequently exported to Europe and sustained there. While it would be impossible in this article to give an overview of the history of blackface minstrelsy, it is necessary to first tease out some of the characteristics of the genre, at particular historical moments, in order to reach an understanding of the genre’s popularity, how it sat in its social (and primarily race-sculpted) landscape, and examine some of the inherent contradictions therein. I scrutinise in particular blackface minstrelsy’s reception by Irish audiences, probing the politics of representation therein involved. To this end, I also investigate issues of social and cultural visibility in an Irish landscape that was remarkably homogeneous racially until at least the 1990s. As two core documents in this regard, I firstly examine the BBC’s ‘Black and White Minstrel Show’, created by George Inns in 1958, which ran from 1958 to 1978, in black and white, ironically, until 1967, and thereafter in colour. The second document that I examine is the very successful Irish Lyons Tea Company’s advertisement from the 1980s, which featured stick-figure black-and-white minstrels in stereotypical makeup and ‘standard minstrel Kentucky dress’ singing and dancing to a simple but memorable jingo.