Medieval liturgical exegesis presents a striking interpretative paradox: Advent, the opening season of the liturgical year, falls within the autumn–winter period and yet is frequently understood as a tempus renovationis, a time of renewal analogous to spring. This study argues that such an association is not merely a poetic metaphor, but the result of a liturgical and theological reconfiguration of time grounded in the adventus Domini. Focusing especially on the liturgical commentaries of Prepositinus of Cremona and related exegetical traditions, the article examines how the symbolic code of spring, widely attested in medieval cultural and poetic sources, is assumed and transformed within the liturgical sphere. It then considers chant as one of the principal media through which this renewed temporal condition becomes perceptible in ecclesial practice. Particular attention is given to the introit Ad te levavi, read as the sung threshold of the liturgical year, in which prophetic promise, ecclesial response, renewed breath, and ascensional movement converge. The analysis is finally extended to manuscript culture, where enlarged initials, figural programs, and the notated shaping of the incipit contribute to the visual and aural articulation of the same theological logic. The study concludes that the “spring” of Advent is best understood not as a merely seasonal analogy, but as a coordinated symbolic and liturgical phenomenon articulated across exegesis, chant, and manuscript mediation.
Claudio Campesato (Fri,) studied this question.