Abstract:This article examines the creative legacy of outstanding actors who played a significant role in the development of Uzbek theater and cinema, with particular emphasis on the artistic achievements of Asad Ismatov. The study traces the historical evolution of cinema from the invention of the cinematograph by the Lumière brothers to the emergence of Uzbek cinematography in the early twentieth century. It highlights the close relationship between theater and cinema, demonstrating how stage traditions became the artistic foundation for the formation of national film acting in Uzbekistan. Special attention is given to Asad Ismatov’s professional career, beginning with his theatrical activities in Andijan and continuing through his remarkable contributions to Uzbek cinema. His portrayal of Sultan Husayn Bayqara in the film Alisher Navoi is analyzed as one of the finest examples of psychological acting and historical character interpretation in Uzbek cinematography. The article also discusses the collaboration of prominent actors and directors who enriched the national screen with memorable artistic images and strengthened the cultural identity of Uzbek cinema. By exploring historical sources, cinematic heritage, and acting traditions, the study demonstrates that the achievements of early Uzbek film artists continue to influence contemporary performing arts and remain an important component of the nation's cultural memory. The findings emphasize the lasting educational, artistic, and patriotic value of their creative legacy for future generations. Keywords: A. Ismatov, R. Hamroyev, Charles-Antoine, Louis Lumière, Auguste Lumière, art, theater, performance, culture, national spirituality, national color, tradition, patriotism, national pride, troupe, theatrical performance, director, Cinematograph.
Amirovna et al. (Tue,) studied this question.
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