This article examines the representation of Semarang as a cinematic historical and religious site in Indonesian films, with a particular focus on its role in Catholic narratives. Semarang’s Old Town, recognized as a UNESCO World Heritage Site, serves as a cultural and architectural landmark that reflects the city’s rich religious and historical heritage. Through case studies of several Indonesian Catholic religious films such as Soegija and Ave Maryam, this article examines how Semarang’s historical setting is utilized to construct narratives that link themes of faith, history, and cultural identity. In addition, this study also shows how these cinematic depictions will contribute to Semarang’s attractiveness as a tourist destination, by showcasing its religious landmarks and historical sites to a wider audience. Combining qualitative film analysis with an exploration of Semarang’s historical and cultural significance, this article uncovers the city’s dual role as both a setting for stories and a major destination for cultural tourism. These findings underscore the potential of film to bridge historical memory and tourism development, offering insights into broader implications for heritage preservation and cultural promotion in Indonesia.
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Cheryl Pricilla Bensa
University of Malaya
Md Azalanshah Md Syed
Rosya Izyanie Shamshudeen
Cogent Arts and Humanities
SHILAP Revista de lepidopterología
University of Malaya
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Bensa et al. (Tue,) studied this question.
synapsesocial.com/papers/69a75b1ec6e9836116a21da5 — DOI: https://doi.org/10.1080/23311983.2026.2617062
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