The deep intervention of digital intelligence technology is reshaping the creative logic, presentation forms, and aesthetic paradigms of dramatic arts. Centering on the core contradiction between "technological empowerment" and "humanistic commitment", this paper systematically analyzes how technologies such as holographic projection, virtual reality (VR), and artificial intelligence (AI) scriptwriting restructure theatrical space, performer-audience relationships, and creative models, combining Benjamin’s "Aura" theory, Dongni Yang’s digital dramatic performance aesthetics, and Xiaorong Dai’s concept of "technological aura". It explores pathways for technological alienation risks and humanistic values balancing, proposing the dual strategies of "instrumental extension" and "subjective synergy" to provide theoretical support for the sustainable development of digital drama.
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Xiaofei Wang
University of Technology Sydney
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Xiaofei Wang (Thu,) studied this question.
synapsesocial.com/papers/68f9840c1881b68f3b7ae9e5 — DOI: https://doi.org/10.64373/af.2025.010102