This essay reviews the following works: Flaco’s Legacy: The Globalization of Conjunto. By Erin E. Bauer. Champaign: University of Illinois Press, 2023. Pp. viii + 290. 30. 00 paperback. ISBN: 9780252087158. Indigenous Audibilities: Music, Heritage, and Collections in the Americas. By Amanda Minks. Oxford: Oxford University Press, 2023. Pp. 256. 28. 99 paperback. ISBN: 9780197532492. Fernando Ortiz on Music: Selected Writing on Afro-Cuban Culture. By Robin D. Moore. Philadelphia: Temple University Press, 2018. Pp. ix + 282. 69. 50 hardcover. ISBN: 9781439911730. Sounding Latin Music, Hearing the Americas. By Jairo Moreno. Chicago: University of Chicago Press, 2023. Pp. x + 364. 35. 00 paperback. ISBN: 9780226825687. La conquista discográfica de América Latina. By Sergio Ospina Romero. Buenos Aires: Gourmet Musical, 2024. Pp. 314. Paperback. ISBN: 9789873823954. A Respectable Spell: Transformations of Samba in Rio de Janeiro. By Carlos Sandroni. Translated by Michael Iyanaga. Champaign: University of Illinois Press, 2021. Pp. xxxix + 275. 28. 00 paperback. ISBN: 9780252086083. Originally published as Feitiço decente: Transformações do samba no Rio de Janeiro (1917–1933). Rio de Janeiro: Jorge Zahar and Editora UFRJ, 2001. Decolonial Metal Music in Latin America. By Nelson Varas Díaz. Bristol, UK: Intellect, 2021. Pp. 256. 34. 95 paperback. ISBN: 9781789387568. Inca Music Reimagined. By Vera Wolkowicz. New York: Oxford University Press, 2022. Pp. xvi + 272. 97. 00 hardcover. ISBN: 9780197548943.
Pablo Palomino (Fri,) studied this question.
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