This article analyzes the specific characteristics of the training process for musical theater actors, focusing on the pedagogical foundations of the methodology developed by Bakhodir Nazarov, a director-educator and Associate Professor at the Uzbekistan State Institute of Arts and Culture. The paper explores the synthesis of acting skills and vocal art, the development of students' musical-rhythmic abilities, and the interpretation of the aria as a dramatic monologue. Furthermore, based on the director-educator's experience, the significance of protecting the vocal apparatus of future actors, professional hygiene, and the principles of an individual approach are substantiated.
Eldor Bekmuradovich Xushvaktov (Sat,) studied this question.