The beginnings of puppet theatre festivals in Romania can be traced back to the establishment of the national state-owned puppet theatre infrastructure in the 1950s, closely linked to the cultural and educational policies of the socialist state. Initially conceived as national and regional gatherings of puppeteers, these events gradually evolved into what is now recognized as theatre festivals. During and after the collapse of the socialist bloc in the 1990s, this infrastructure of Romanian puppet theatre festivals underwent significant developments and transformations. This paper offers a concise historical overview of key milestones in Romanian puppet theatre festivals, highlighting their distinct formats. It further examines contemporary Romanian festival models, categorizing them into three main types: indoor national festivals; indoor international festivals (e.g., the Puck International Puppet Theatre Festival in Cluj-Napoca and the Gulliver International Animation Festival in Galați); and outdoor international festivals (e.g., Puppets Occupy Street in Craiova). The selected contemporary festivals have been chosen based on their continuity and relevance, with each category encompassing a representative number of examples. This article also aims to serve as an introductory resource for international artists interested in becoming familiar with the Romanian puppet theatre festival network.
Octavian Szalad (Tue,) studied this question.
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