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In the poem Vaporul morței and in its French version Le Vaisseau fantôme, Alexandru Macedonski reworks a literary myth specific not only to Fantastic and Gothic literature (both romantic and symbolist/ decadent), but also to maritime adventure literature, which had a vast spread through several artistic forms, especially in the 19th century. In this contribution, by analyzing and discussing the mythical constellation of the ghost ship, I will outline that, in Macedonski’s poetry, Vaporul morței emerges as the most striking metaphor of the liminal existential condition of a poet always torn between Spleen and Ideal. From a collective myth, belonging to the category of the terrifying, the ghost ship becomes a haunting personal myth and an in-between and heterotopic space. Materializing a psychic and archetypal palimpsest, Vaporul morței reveals all the painful splits deeply sedimented in Macedonski’s abysmal Self and all the antitheses that run through his poetic imaginary.
Giovanni Magliocco (Fri,) studied this question.
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