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This article explores Albert Camus' literary embodiment of the concept of the absurd within the framework of existential philosophy. By analyzing major works such as "The Stranger," "The Plague," and "The Fall," the article illustrates how Camus articulates the conflict between the human quest for meaning and an indifferent universe. The discussion includes an introduction to existentialism, the definition of the absurd, and the thematic and symbolic elements in Camus' novels. The article also addresses Camus' influence on literature and philosophy, his philosophical contributions, and critiques and interpretations of his work. Ultimately, it highlights the enduring relevance of Camus' exploration of the absurd in contemporary discourse, encouraging readers to engage with his works and the profound questions they pose about meaning, existence, and the human condition.
İlhama Mammadova (Mon,) studied this question.