Los puntos clave no están disponibles para este artículo en este momento.
In this article, I make the case for the use of expressive film techniques to convey the emotional, or affective, experience of neurodiverse people who have been subjected to liberty restricting practices and policy. I do this by discussing my own experience with film practice as a man living with autism, presenting a broader philosophical case for how artistic modes of communication can close affective and social divisions between neurodiverse and neurotypical people, explaining why it is the cinematic techniques I advocate for are uniquely suited to neurodiverse people, and then I showcase some of my own work as a case study which those who are unfamiliar with non-narrative cinema can use as a reference point. I conclude by asserting the further need for institutional and financial support being offered to neurodiverse creators seeking to disseminate their experiences through film techniques.
Grant et al. (Tue,) studied this question.
Synapse has enriched 5 closely related papers on similar clinical questions. Consider them for comparative context: