Sightlines of the scene: the degree zero of costume in the fractal body performance

The present article aims to discuss the creation of costumes as the materiality of the body in performance, based on the flowing materials that pass through the body during performance. The artistic vanguards that occurred in the early 20th century serve as inspiration for the performative project Fractal Body, which utilizes a cartographic methodology based on the post-structuralist studies of Deleuze and Guattari. As a result, it is noted that at the degree zero of costume, all matter is matter for becoming, unstable, therefore, unformed, made of free and ungraspable intensities. In the poetic visuality of the scene, costumes act as forces and present instead of representing.