‘Film, Fashion, Costume in Italy and Beyond’

This editorial positions the study of fashion and costume against the field of film studies and the history of Italian cinema and media. Although scholarly approaches to this field of study first appeared in Anglo American literature at the beginning of the 1990s, the pioneering work of Italian historian and film critic Mario Verdone has yet to be acknowledged. The anthology Verdone edited in 1950, a pivotal year of Italy’s post-war reconstruction, was the first of its kind: prior to its publication, the relationship between costume, fashion and film had never been the subject of scholarly enquiry. The title of Verdone’s book, La moda e il costume nel film (‘Fashion and costume in film’) calls attention to how these arts, techniques and industries work in the actual process of making films. Verdone’s book offers a context for the articles contained in this volume.