The End of History, alienation and urban photography across the French–Spanish border, 1964–75

Offering an overview of Spain’s illustrated magazines of the late 1960s and early 1970s, this article retrieves the debates concerning leisure society and reveals the role that street photography played in visualizing the promises and the defeats of touristified spaces. As the article demonstrates, these discussions creatively elaborated the Marxist ideas of the time about commodified leisure as a form of human survival following the End of History that were debated in France.