This paper examines Aisha Hassan’s When the Fireflies Dance as a literary intervention that renders visible lived realities of bonded labour by foregrounding the interdependence of economic coercion and ecological harm. The paper will employ an eco-Marxist theoretical approach, which combines the idea of accumulation by dispossession as proposed by David Harvey with the theory of slow violence by Rob Nixon, to assert that the novel evokes the notion of bonded labour not as a one-time wrong, but as a structural state of affairs and a condition created and perpetuated through daily practices. The paper uses close textual analysis to establish how debt operates as a labour immobilization mechanism, transforming work into a lifetime commitment and sealing off mobility, health and futility. At the same time, environmental degradation; represented by dust, smoke, heat and chronic illness, as a kind of slow violence, which gradually wears the bodies of workers and continues even after they leave the kiln, is described in the novel. The analysis also shows the reproduction of bonded exploitation in generations, as ideological repression, gendered labour, and the criminalisation of resistance, which makes survival itself a place of struggle. This paper places the novel squarely in the socio-economic and ecological context of Pakistan and draws attention to the potential of the modern Pakistani English fiction to serve as a critical archive of marginalized labour experiences. Finally, the paper argues that When the Fireflies Dance is a compelling critique of modern capitalism in that it reveals how land and life are robbed by exploiting them through normalized, cumulative violence.
Baryar et al. (Mon,) studied this question.