Abstract Not many years after Eldon Epp composed a “Requiem for the Discipline” of New Testament textual criticism in America, the field experienced a birth to new life. Ironically, in many ways Epp himself was the progenitor. His best-known publication The Theological Tendency of Codex Bezae Cantabrigiensis in Acts had earlier raised issues now central to the discussions: textual variants as historically significant data rather than mere chaff to be discarded; the importance of “scribal tendencies”; and the fraught question of an “original” text. This essay looks back on Epp’s early achievement and its long-term effect on what is now a vibrant and thriving discipline.
Bart D. Ehrman (Wed,) studied this question.