Voice has been an ongoing area of interest for literary scholars of British studies who engage with gender, class, and empire. Late twentieth- and early twenty-first century postcolonial scholars of voice base their theoretical foundations on the work of Homi Bhabha and Gayatri Spivak. While focusing primarily upon the colonized subject. Amy Wong’s Refiguring Speech: Late Victorian Fictions of Empire and the Poetics of Talk introduces a new dimension to this critical conversation by shifting attention to the voice of the colonizer whose articulacy is under pressure. Four late-Victorian texts are explored for the ways they imagine the end of colonial worlding (a Spivak term the author employs) when speech, as an expressive act of self-possession necessary for the maintenance of the colonial self, unravels.
Jean Fernandez (Wed,) studied this question.
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