The Mabia languages belong to the Niger–Congo family and are spoken primarily across the savannah and Sahelian regions of West Africa, including northern Ghana, Ivory Coast, Togo, Benin, Nigeria, Burkina Faso, Niger, and Mali. Tone plays a crucial role in these languages, shaping both lexical meaning and grammatical structure. This study is a synthesis or an overview of previously described facts about the tonal phenomena in six Mabia languages, Dagaare, Dagbani, Gurenɛ, Kusaal, Likpakpaln, and Buli—highlighting their tonal inventories, structures, and distinctive tonal processes. Dagaare and Dagbani exhibit a two-tone system (high and low), with an additional down-stepped high tone. Kusaal, Likpakpaln, and Buli employ a three-tone system (high, mid, and low), while the tonal status of Gurenɛ remains contested: some scholars describe it as a two-tone language, whereas others provide evidence for a three-tone system. The mid tone, though relatively less productive, appears to represent a later innovation within the group. The mid tone performs both lexical and grammatical functions. Notable tonal phenomena across these languages include tonal polarity, low tone spreading, and restrictions on contour tones, with Buli exhibiting particularly productive low tone spread. In all six languages, tone plays both lexical and grammatical functions. This paper explores these features and offers basic theoretical explanations for their occurrence. Overall, tone is a defining characteristic of the Mabia languages, intricately shaping their phonological and morphological structures.
Angsongna et al. (Thu,) studied this question.