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At the NECMT 2000 meeting five formal papers were presented, covering new approaches to music theory and analysis (Dubiel and McCreless), the advantages of opening new repertoires to study (Hisama), a retrospective and prognostic of music theory pedagogy (Karpinski), and a discussion-demonstration of an analytical approach to rock music (Kaminsky). The responses by the present author address issues and special features he perceived in this array of interesting papers.
Allen Forte (Tue,) studied this question.