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This report is based on a thesis written by the author in June, 1948, in partial fulfillment of the requirements for the degree of Master of Arts at New York University. The writer is grateful to Dr. Naomi Stewart for her valuable guidance in completing the study. Those actors and non‐actor controls who were subjects in the experimental portion of the study are also due a genuine vote of thanks.—T he A uthor
Conrad Chyatte (Sat,) studied this question.