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Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema | Synapse

July 1, 1997

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Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema

SBSusan D. BlumUniversity of Notre Dame RCRey ChowDuke University

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Resumen

Chow situates contemporary Chinese film within the broad context of Chinese history and culture, giving readers a glimpse of the unique shared identity that characterizes the current crop of outstanding filmmakers, such as Chen Kaige and Zhang Yimou.

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Cite This Study

Blum et al. (Tue,) studied this question.

synapsesocial.com/papers/6a0fea04fb2817e31dfcd0b2 https://doi.org/https://doi.org/10.2307/1399915

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