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A model for multi-pitch and periodicity analysis of complex audio signals is presented that is more efficient and practical than the Meddis and O'Mard (see J. Acoust. Soc. Am., vol.102, p.1811-20, 1997) unitary pitch perception model, yet exhibits very similar behavior. We also demonstrate how to apply this model to source separation of complex audio signals such as polyphonic and multi-instrumental music and mixtures of simultaneous speakers. Such analysis techniques are important for automatic transcription of music and structural representation of audio signals.
Karjalainen et al. (Fri,) studied this question.
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